Johann Sebastian Bach (1685-1750) Suite n°5 en do mineur, BWV 1011 Prélude Allemande Courante Sarabande Gavottes I & II Gigue

Monsieur de Sainte-Colombe (XVIIe-) La Duchesse (Concert a deux violes esgales, VI) la Duchesse Sarabande lente. 1ère 2e sarabande lente

Jean Lacquement dict Du Buisson (XVIIe) 2 Préludes

Nicolas Hotman (avant 1614-1663) Courante

Monsieur de Sainte-Colombe (XVIIe-) Tombeau Les regrets (Concerts a deux violes ésgales, XLIV) Tombeau Les Regrets Quarrillon Apel de Charon Les Pleurs Joye des Elizées Les Elizées

Marin Marais (1656-1728) Les Voix humaines (Deuxième livre de pièces de violes, 1701)

Jean-Baptiste Lully (1632-1687) Bourrée de St Germain (Manuscrit de Kassel - d’après Bourrée pour les nymphes extrait du Ballet de Flore (1669))

Jean-Baptiste Lully (1632-1687) Chaconne de Galathé (Manuscrit suédois Lund «Wenster» - extrait d’Acis et Galatée (1686))

Henry Purcell (1659-1695) Chaconne en sol mineur

Henry Purcell (1659-1695) If Music be the Food of Love

Henry Purcell (1659-1695) Ground en mi mineur

Henry Purcell (1659-1695) Sweeter than roses

Henry Purcell (1659-1695) Sonata 5 of III parts Allegro moderato Adagio Largo Grave Canzona

Henry Purcell (1659-1695) The Plaint (extrait de “The Fairy Queen”)

Henry Purcell (1659-1695) Thy hand, Bellinda/When I Laid in Earth (extrait de “Dido and Aeneas”)

Philippe Herreweghe conductor - Collegium Vocale Gent

Cristobal de Morales Missa "Mille regretz", Motets (tba)

A meeting point for Spanish music and Franco-Flemish polyphony, the sacred music of Cristóbal de Morales won its composer fame throughout Europe. Philippe Herreweghe's introduction to this chapelmaster from Seville includes a mass composed in 1544, which was based on the song Mille regretz by Josquin Desprez.

Johann Sebastian Bach Brandenburg Concerto no. 2, BWV 1047, Brandenburg concerto no. 4, BWV 1049, Brandenburg concerto no. 1, BWV 1046 Henry Purcell Suite (The Prophetess, or The History of Dioclesian), Suite (The Fairy Queen)

Every music-lover surely knows Johan Sebastian Bach's Brandenburg Concertos. Jordi Savall invites us to rediscover them, in a dialogue with two orchestral suites by Henry Purcell, taken from his semi-operas The Fairy Queen and The Prophetess. A kind of musical leapfrog that throws new light on familiar works.